Located just below the bottom of the ladder, the Clown plays out in vulnerability, ineffectiveness and incompetence. To tame this uncomfortable place and make it jubilant, the technical basics of masked play will allow us to establish the right distance, the first transposition. Then guided by the great laws of improvisation: space, rhythm, focus ... we will go in search of the artistic and human material specific to each clown. Finally, depending on the progress of the work, we will discuss the first basis of clown writing: distinction and organization between author, performer and instrument.
Each day begins with a body warm-up. The work continues with games, exercises and improvisations in solo, duo, trio, choir ...
The course is for anyone aged 20 to 60 (exemption possible on interview), motivated and in good physical shape.
Please tell us in a few lines what makes you want to do this internship.
Stage experience is a plus, but not essential.