To work on the voice is to work on the relationship: undoubtedly our relationship to ourselves, but also our relationship to others and our relationship to space.
What does our voice depend on: these relationships but also our intentions, the intentions of the characters.
We will seek to develop the vocal potential by shedding what encumbers it: locks, muscular tensions, habits.
In the work of the text, we will give priority to the emergence of things: how our breaths - I am talking here about silences and suspended moments - how the work of supports and impulses can come naturally to feed our imagination, can clarify our intentions . Give meaning to a text by going through another path, organic and sensitive.
The course is aimed at young actors, candidates for high school theater teachers, professors in academies and anyone wishing to discover their voice through the work of the text.
Any questions ?
If you have any questions, please refer to the practical information !