Stages

Work on sound, breathing, discovery or the development of improvisation.

Open to flutists and clarinetists.

During these interventions, we will discuss some points which seem to us indispensable for any improvising musician, whatever his instrument and the practiced style : Notions of form, sentence, rhythm, phrasing, ...

Learning to play jazz is a bit like learning to live together. Listen to others and simultaneously find one's own place, understand the differences of each artistic sensibility and try to share it.

This workshop is addressed to musicians regardless of the genre usually performed, with a minimum of 5 years of instrumental or vocal practice.

The objective of the workshop is to play together, leaving the partitions in the closet: a wild stuff, a Portuguese lullaby, a Macedonian dance, a captivating Finnish melody ...

The objective of the workshop is to provide vocal and rhythmic techniques (articulation, dexterity to be debit, modulation of phrasing, ragga, skat, beatbox sounds, sound effects, body percussions) and to stimulate the participants' creativity to enable them to develop their musical spontaneity in collective pieces.

From folk to rock, blues to Bob Dylan, Beatles to singer-songwriter. A journey through the popular music of the 20th century.

Atelier d’exploration vocale créatif et ludique; comment utiliser la voix dans un espace scénique.

Introductory course in electronic music.