Courses

Warm-up, ankle flexibility, basic step combinations, precision and strength of strikes, rhythm and musicality, choreography, attitude and stage presence.

The EXPERIENCE workshop explores image and sound in distinct ways. The first step is to construct a visual narrative divided into several static or moving shots. A sound script will be added to the images to collide and create unique, sensitive experimental films of research and learning.

Radio is a beautiful master key that allows you to enter "almost" anywhere. Small doors of sound, open ears behind the scenes and out in the open, participants can learn about the various aspects of radio production in just a few days.

The workshop we're proposing will seek to bring out the drag identity (King/Queen/Freak/Queer/...) of each participant. Our job will be to offer them practical tools to help them find their creative freedom.

The emphasis of this course is on the quality of the relationship between the masseur and the person being massaged.

At the frontier of myth and reality, welcome to Cabinets de Curiosités. We invite you to create your own cabinet of curiosities and learn the art of cabinet-making. Over the course of a week, we'll try our hand at improvisational theater, public speaking and creating a story using an object of your own.

During this week, we will explore our own dances and observe their structural components.

This course builds on the foundations laid in "Playing my Clown, Act 1.

Butoh is a libertarian body practice born in Japan in the 1950s. Synthesizing the heritage of traditional techniques of the island and the research of the European avant-garde, butoh offers a wide field of exploration of movement and body.

The course will explore three axes. The first is the anecdotal line of a scene: everything that is linked to the progress of the story, to bodily actions, to the physical manifestations of conflicts, to the behavior of the characters. The second line, sensory, links action to the functioning of the five senses. Finally, the emotional line connects the action and senses to the character's emotion.