Landscape as a direct experience where the work on the motif is one of the essential points of this approach. If two-dimensional copying a two-dimensional surface presents no difficulty, choosing to draw on the pattern and to go from three to two dimensions is however much more complicated.Read more
For our tenth calligraphy workshop at the AKDT, we offer this year the learning of rustica, a capital Roman writing used from the 1st to the 9th century.
Eradicate fear, a priori, to find the stage of creative gesture, one that unrestructively combines construction and spontaneity.
To provoke a questioning of an answer that protects, a carapace which the trainee will be invited to get rid of to find a truly creative dynamic.