Courses

Butoh is a libertarian body practice born in Japan in the 1950s. Synthesizing the heritage of traditional techniques of the island and the research of the European avant-garde, butoh offers a wide field of exploration of movement and body.

Warm-up, ankle flexibility, basic step combinations, precision and strength of strikes, rhythm and musicality, choreography, attitude and stage presence.

The course will explore three axes. The first is the anecdotal line of a scene: everything that is linked to the progress of the story, to bodily actions, to the physical manifestations of conflicts, to the behavior of the characters. The second line, sensory, links action to the functioning of the five senses. Finally, the emotional line connects the action and senses to the character's emotion.

Radio is a beautiful master key that allows you to enter "almost" anywhere. Small doors of sound, open ears behind the scenes and out in the open, participants can learn about the various aspects of radio production in just a few days.

The workshop we're proposing will seek to bring out the drag identity (King/Queen/Freak/Queer/...) of each participant. Our job will be to offer them practical tools to help them find their creative freedom.

Play, dance, walk, tell, jump, spin, laugh, dance… together.

The theatrical adventure begins on the very first day, when we discover each member of the crew, with their smile, their qualities, their difficulties, their energy, their rhythm, their will and their vivacity.

This week invites you to immerse yourself in your personal mythology through the expression of movement, feelings and the emergence of spontaneous creativity. The Self-portrait process is based on the exploration of each part of the body, inviting you to go back and forth between dance, play, drawing, writing, performance and ritual to reveal your resources and actualize your potential.

You have always wanted to but never been able or had the chance... It is this desire that will be our guide throughout the week...

For 6 days, we'll be working on the main elements of the technique of analyzing a play through physical actions. This latest discovery by Constantin Stanislavski still remains little known outside Russia. The French-speaking world learned about it thanks to the book "L'Analyse-Action", written by my teacher Maria Knebel.