Stages

The internship will explore three axes. The first is the anecdotal line of a scene : everything related to the unfolding of the story, to the bodily actions, to the physical manifestations of the conflicts, to the behaviors of the characters. The second line, sensory, links the action to the functioning of the five senses. Finally, the emotional line connects the action and the senses to the emotion of the character.

This course offers an immersion in unbridled creativity, to open the imagination and allow it to express itself through various artistic forms: writing, storytelling, body expression, theatrical expression, art of puppetry and object theater ...

This internship allows to approach the spontaneous and ephemeral creation of plays in a totally improvised way. It is not a question of playing on the basis of canvas but of improvising entirely pieces that one "writes", plays and directs simultaneously.

Training / Basics Recall
Listening : of oneself, of the public, of the partner; to rhythm the game; to clown the body, the gestures and the emotions; the particular delirium of each; the legibility of the game.

Located just below the bottom of the ladder, the Clown plays out in vulnerability, ineffectiveness and incompetence.

The present moment, we know well, is the only space that our Being really inhabits.

Sensory actualization is the act by which we offer to live - and no longer to think - our life. But most of the activities that we impose on ourselves often take us outside the realm of the here and now, no longer letting us experience the quality of the moment that was offered to us.

Of course, a certain withdrawal, a meditative practice, to stop and isolate oneself somewhat ... so many attempts that allow this reunion with our quality of being ...

To work on the voice is to work on the relationship: undoubtedly our relationship to ourselves, but also our relationship to others and our relationship to space.

What our voice depends on: these relationships but also our intentions, the characters' intentions.

What happens when you cut the sound of a movie ?

It is aimed at actors, amateurs or professionals, who have never been confronted with working in front of the camera.

Jean-Jacques Péché is delighted to meet those who are eager to discover the riches of documentary cinema. He wishes to share with them the pleasure of perceiving the world, of reading it and of capturing it, while learning to divide a reality in order to better reconstruct it and restore it through the filter of their personality.