The artist's book is often associated with a concept, an idea and linked directly or indirectly to the contents. The artist's book is approached by the artist by questioning printing techniques (sometimes unconventional), materials, sequences and the nature of the page. Artist's books take many forms which often deviate from the traditional book form, in the way in which they are designed. They amaze us with the choice of their organization, their form, their material, the subject, which are given to us to discover.
Read moreChroma is the title of the book written by Derek Jarman around color in the last months of his life when he was losing his sight. It is a sort of autobiography through color where chromatic impressions, reflections and childhood memories mingle.
Read moreIn the context of group work, improvisation is approached via three complementary axes: tools for modal improvisation, for tonal improvisation and for free improvisation. The goal is to have the most universal approach possible to music in order to allow everyone to express themselves freely in all musical circumstances.
Read moreObjects, subjects, spaces, landscapes, compositions… How to compose a painting? Where to start? When to finish? Travel, painting, experimentation.
Read moreDuring these interventions, we will address a few points which seem essential to us for any improvising musician, whatever their instrument and the style practiced: notions of form, phrase, rhythm, phrasing, etc.
Read moreThis workshop proposes to divert its function, to use its properties in order to explore plastic forms ranging from sculpture to installation, and even to the possibility of performance.
Read moreIn the first half of the 15th century, a “new” oil painting was born in Flanders, attributed to the Van Eyck brothers, painters and alchemists. Their technique is based on the alternation and different properties of fatty layers and lean layers. By submitting to the products imposed on him, the painter loses his pleasure in painting and distorts his spiritual creation.
Read moreCreative play. Composition appeals to our imagination, our spontaneity and of course to our general culture and our diverse knowledge.
Read moreDiscover your voice and its many possibilities, open your ears to sound, sensations and imagination, let yourself be transported by the voices of others, allow yourself to experiment with all kinds of singing, gain confidence and taste the pleasure of vocal freedom...
Read morePlay, juggle the multiple sound possibilities of the voice and understand how it works.
Read moreLearn to play in a group, to memorize themes or melodies, to play in place rhythmically, to deepen your knowledge of the repertoire and the history of rock.
Read moreIn this course, we will focus on computer music (Ableton Live) creation methods and sound processing.
Read moreCourse intended for those who wish to begin/improve their knowledge of computer-assisted music.
Read moreA comprehensive overview of styles and techniques not traditionally taught on the cello. The workshop will cover chopping, fingerpicking, chord systems, bowing and strumming accompaniment, bass work, and some melodic learning (mainly Americana and Balkans).
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