Description
This course is aimed at people who have participated in the introductory course or those who already have experience in radio creation.
By distancing ourselves from industrial podcasts and journalistic formatting, and by promoting free narratives, this week will be dedicated to deepening the tools and methodologies of radio documentary production: listening, writing, sound recording and editing. Participants will be supported in the development of a creative project of which at least some of the recordings have already been made - the idea being to start from this material.
Particular emphasis will be placed on the question of sound writing and point of view: what story to tell, from which ears, and how?
Participants will benefit from collective and individual support both in the discovery of radio plays, the learning and improvement of sound recording and editing techniques, and in the way of thinking about sound and its poetics.
In order to open up to broadcasting issues, the restitution of the work in progress will be done in the form of a live radio set thanks to the Radio Panik flying studio! A quick introduction to live radio techniques will be given during the last day of the course.
Any questions?
If you have any questions, please refer to the practical information!